Communiqué

Us

Tom Hollander and Saskia Reeves star in an adaptation of David Nicholls’ bestselling novel on MASTERPIECE
Sundays, June 20 and 27 on PBS

Paris, Venice and Barcelona are on the itinerary when a married couple on the verge of breakup take a European vacation with their rebellious teenage son. Tom Hollander (Baptiste) and Saskia Reeves (Roadkill) star as Douglas and Connie, a hopelessly mismatched husband and wife, with Tom Taylor (The Dark Tower) as Albie, their moody offspring. Adapted from David Nicholls’ Booker Prize–nominated novel, Us airs in two two-hour
episodes on MASTERPIECE, Sundays, June 20 and 27, 2021 at 9 on PBS.

A Drama Republic and Bandstand Production, the recent UK broadcast of US delighted critics who called it “hard to resist” (The Guardian); “funny and touching and acutely observed” (The Independent); and “Melancholy without being bleak, funny without being silly…perfect Sunday night entertainment.” (The Daily Telegraph)

The Independent further noted that Us is “a vision of paradise, filmed before lockdown, a continent of trains and restaurants and museums where no character ever says ‘epidemiologist’ [or] ‘quarantine.’”

Us also features Iain De Caestecker (Roadkill) and Gina Bramhill (Sherlock) playing Douglas and Connie as young lovers and newlyweds, when their unsuitability as partners seemed stimulating rather than stifling.

The story opens in suburban Britain, with Douglas and Connie twenty years into their marriage. He is a left-brain type — a scientist — organized, numeri- cal, and obsessively rational. Meanwhile, she is an artist with her right brain firing on all cylinders—visual, creative, unconventional. Out of the blue one night, she wakes up Douglas to announce, “I’ve been thinking about leaving. I think our marriage might be over.”

It’s news to Douglas, who has been blindly contented with matrimony. He immediately decides to change his ways in order to change her mind. She agrees that they should at least go ahead with their planned European holiday, designed to introduce art-school-bound Albie to the glories of continental culture. At seventeen, he is not exactly thrilled to be doing the tourist beat with his parents.

Yet all three embark on a grand tour—three weeks, six countries, twelve cities—that is less about museums, monuments, and cafes than how family members can’t help driving each other over the edge. The contentious incidents abroad are interspersed with flashbacks to happier days, showing how Douglas and Connie met and fell in love, despite their differences. These scenes also reveal a long-ago tragedy that bonds the couple, and that has deeply affected Albie.

It wouldn’t be a proper trip without new friends made along the way. One is Kat (Thaddea Graham, The Irregulars), a musician and aspiring busker like Albie. She is as spontaneous as Douglas is deliberate, yet the uptight scientist comes to appreciate her free-form anarchy. Another is middle-aged Freja (Sofie Grabol, Gentleman Jack), who encounters Douglas at a particularly difficult phase of the trip and is just as spiritually lost as he is.

Through it all, one thing that keeps Douglas going is his sense of perspective. Visiting the Louvre with Connie and Albie, he contemplates Géricault’s painting The Raft of the Medusa, where a shipwrecked crew is at the height of their suffering, which has included cannibalism. “At least someone is having a worse holiday than us,” he observes.