Communiqué
“Man on Fire” Premieres on INDEPENDENT LENS, Monday, December 17 at 10
< < Back to man-on-fire-premieres-on-independent-lens-monday-december-17Documentary Seeks to Explain Why an Elderly Methodist Minister Self-Immolated in a Texas Parking Lot
On June 23, 2014, a 79-year-old white Methodist minister named Charles Moore drove to an empty parking lot in his old hometown of Grand Saline, Texas, and set himself on fire. He left a note on his car’s windshield explaining that this act was his final protest against the virulent racism of the community and his country at large. Joel Fendelman’s Man on Fire goes back to Grand Saline – population 3,266 – to try to uncover the truth about the town’s ugly past and the fervor for God and justice that drove Moore to his shocking final act. Man on Fire premieres on Independent Lens on Monday, December 17, 2018, 10-11:00 PM on WOUB.
Grand Saline, home to one of Morton’s largest salt mines, has always had a reputation as a town unhospitable to African Americans. Oral tradition has it that there were signs at each end of the town warning African Americans to leave before sunset, and stories of lynchings and beheadings are well-known. Although the town fathers claim the stories are just rumors, African Americans from neighboring towns still avoid passing through. The shroud of secrecy ended when Charles Moore self-immolated and the media took note.
Although he was raised in Grand Saline, Moore’s religious devotion and quest to make a difference had led him far from his small hometown. A committed Methodist, Moore attended Southern Methodist University and became a preacher, first in Texas and then on the west side of Chicago, where his passion for social justice flourished. A fierce supporter of racial equality, LGBT rights, the abolition of the death penalty and more, his parishioners and colleagues marveled at the depth of his commitment. Even before his death, they understood that Moore was willing to die for what he believed.
Told through interviews with Moore’s friends and family members as well as residents of Grand Saline and surrounding towns, Man on Fire seeks to understand what drove Moore to his shocking final act — and what if anything, it changed.
“Joel’s disquieting film explores the length one white preacher was willing to go to remind us of our racist history,” said Lois Vossen, Independent Lens executive producer. “Some see his act of self-immolation as a radical protest, like the Buddhist monks whose suicide by fire raised awareness for their cause. Others believe it’s a sign of mental illness. At a time when we’re grappling to define a collective history, this story illustrates how difficult it is to find common language, let alone common ground.”
Visit the Man on Fire page on Independent Lens featuring more information about the film, which will be available for online viewing on the site beginning December 18.
About the Filmmakers
Joel Fendelman (Director/Producer/Editor/Cinematographer) has written, produced, and directed a number of award-winning narrative and documentary films. His achievements include winning the IDA Documentary Award for Man on Fire, premiering his short film Game Night at the Tribeca Film Festival in 2016, and winning numerous awards for his first and second narrative feature films, Remittance and David, including Best Screenplay at the Brooklyn Film Festival in 2016 and the prestigious Ecumenical Prize at the Montreal World Film Festival in 2011. He holds a Masters in Fine Arts from the University of Texas, Austin. He currently resides in New York City.
James Chase Sanchez (Producer) is an Assistant Professor of Writing and Rhetoric at Middlebury College. His research interests are in cultural and racial rhetorics, public memory, and writing assessment, and his research has appeared or is forthcoming in College Composition and Communication, Pedagogy, Journal of Contemporary Rhetoric, Present Tense, and Writing Program Administration. Sanchez has long been fascinated with the stories of his hometown, Grand Saline, Texas, and is currently working on an academic manuscript about the town.
CREDITS
Director, Producer, Cinematographer, Editor Joel Fendelman
Producer James Chase Sanchez
Original Music Gil Talmi
Special Thanks Texas Monthly and article “Man on Fire” by Michael Hall