Athens New Horizons Band Looking For Enthusiastic Adult Amateurs

November 14th, 2017 by

Playing music is more than replicating tunes immortalized on sheets of lined paper.

If you’ve ever been in a band, whether that was in late elementary school or with your cousins in a garage for a couple of years in early college, you know the multitude of benefits that come with playing music in a communal fashion – or just the benefits that come along with learning to play an instrument.

Matthew Talbert, an associate professor in the music education program at Ohio University, is looking to bring the enlightening experience of musical performance to older adults in Athens for these very reasons – and many more.

Talbert is starting a New Horizons band in Athens, a part of a long musical tradition that dates back to professional and academic musical circles in the early ‘90s. That’s when Dr. Roy Ernst of the Eastman School of Music developed the very first New Horizons band, which focuses on allowing those who are around age 50 or older to take pick up an instrument in a casual, beginner-friendly atmosphere.

While pursuing his Ph.D. in Columbia, SC, Talbert worked extensively with the Congaree New Horizons Band.

“When I started my Ph.D., I had never heard of New Horizons bands, but my major professor had started one there in ’07 or ’08. When he told me about it, explained it, I figured that I would have no problem since at that point I’d been teaching beginning band in public schools for years. I thought that I could just treat it the same – but you really can’t,” said Talbert in an interview with WOUB on a frosty morning in early November. “(When you’re teaching adults,) you have to take into account their life experiences and understand that they learn differently than children do.”

Talbert said that he’s taught musicians at all skill levels – from folks who played throughout middle school and high school and who dropped performing music to raise a family for 20 years to an 82-year-old who had never played a musical instrument in their life.

“When someone is retired, or close to retirement age, they often have expendable time – and the question is how do we keep them active? Socially active, mentally active, physically active?” said Talbert. “We want to create a space with New Horizons that adult amateurs can come to where the focus is more social than anything – we aren’t going to get hung up on mistakes. If people are interested, there will be my students available to give them extra lessons outside of practices. But more than anything it’s to give people an opportunity for some meaningful musical activity – to have some fun.”

Much of the philosophy of New Horizons Bands (managed internationally by New Horizons International Music Association,) ties in with the school of thought that declares all people can be “lifelong learners,” one of Talbert’s chief beliefs.

“As educators, we always talk about lifelong learning – but we don’t do it or facilitate it very often. As someone who taught in public schools, my main goal was not to have a child decide that they would somehow major in music in college, my goal was to instill in them the desire to continue to play – whether that was in their church, in their community, or even professionally,” said Talbert. “What’s important is not that these people learn to play perfectly, but that they have meaningful musical experiences while learning, which is exactly what we hope for when teaching children in beginning band. This is about letting them learn at their own speed, about giving people who are retired something to do that is truly meaningful to them.”

The informational meeting about the Athens New Horizon Band is slated for Thursday, November 16 at 6:30 p.m. in room 550 of Robert Glidden Hall on the Ohio University campus. Questions can be directed to Talbert at talbertm@ohio.edu. Participation in the band will have a small fee per semester, and extra instrument lessons will be available. Those who can facilitate the renting of musical instruments will also be at the informational meeting. 

WOUB-HD to Broadcast ‘Real Rail Adventures: Swiss Winter Magic’ Nov. 16

November 8th, 2017 by

There are few things as stunning as the endless, mirroring landscapes of snow that make up a portion of Switzerland throughout the winter months. Earlier this year, Athens’ own Jeff Wilson journeyed throughout the sophisticated Swiss Rail System to record Small World Productions/KCTS Seattle’s Real Rail Adventures: Swiss Winter Magic.

The resulting 60-minute documentary will air on WOUB-HD Thursday, November 16 at 9 p.m. Throughout the adventure, Wilson, a veteran traveler (to put it lightly,) navigates the user-friendly and dependably sustainable railways that connect the incredibly diverse cities and villages of Switzerland. In the process, he samples interesting local chow, cross country skis, bobsleds, fat-tire bikes, and much more.

Jeff Wilson learns how to fat-tire bike during his adventures chronicled by “Real Rail Adventures: Swiss Winter Magic.” (smarttravels.tv)

“When we shoot, we’re usually up early and out late,” said Wilson, who has been a host on hundreds of episodes of various HGTV and DIY Network programs throughout his career. This special in particular is the latest in a three-part series of programs produced by Small World Productions and KCTS Seattle that explores the Swiss rail system.

Some of the places Wilson visits throughout the program include the village of Reckingen in Goms Valley for world-class cross-country skiing; the romantic and combustion-engine-free village of Zermatt that sits in the shadow of the Matterhorn; the luxurious and ritzy Gstaad where Wilson tries fat-tire biking and checks out the Alpina Hotel, an over-the-top resort frequented by the likes of Madonna and Quentin Tarantino; and a cogwheel train perched at the top of Rigi Kulm.

Wilson said that getting the entire crew of the show, as well as all of their equipment, onto the rail system, was, at times, difficult. When they just couldn’t swing it, a support van would be utilized to get the crew and the equipment from one location to the next.

The historic Hotel Waldhaus Sils. (smarttravels.tv)

“Each day that we shoot is filled with activities, lots of active things,” said Wilson, detailing the whirlwind production pace of the show. “I get to meet a lot of people, and while the show itself is relatively scripted, we do work in a lot of those really interesting side conversations that just come up.”

As mentioned before, Wilson is a lifelong traveler. Born in Columbus, Wilson has lived all over the country, doing everything from writing country music songs for a Nashville-based publishing company to doing voiceovers to hosting numerous television programs. It’s worth noting that as a young couple, Wilson and his wife quit their jobs and travelled the country for a year, backpacking, driving a small Toyota truck and depending on the kindness of  acquaintances and friends-of-friends.

“I’ve been all over Europe before; my parents travelled a lot when I was a kid, although not as much as I travel now. I actually went to Switzerland with my wife and kids after we shot the show to show them all the things that I had gotten to experience,” said Wilson, who said he and his family typical car camps while in Europe. “That way, when we travel, we actually get to interact with the Swiss people, instead of just ending up in a place where we are just surrounded by other American tourists.”

Overall, Real Rail Adventures: Swiss Winter Magic is intended to give American audiences a feel for the ease and reliability, not to mention the eco-friendly nature of, a rail system.

“The Swiss are very focused on sustainability. People get around by walking and public transportation, mostly, which keeps the streets and the cities very pedestrian friendly,” he said. “Being a place of snow and water and mountains, a lot of their electricity comes from hydropower – it’s a very green place to be.”

OU Division of Theater Opens ‘Top Girls’ Nov. 2

November 1st, 2017 by

Ohio University’s Theater Division will begin its second production of the fall season with Top Girls from Nov. 2–4 and 8–11 in the Elizabeth Evans Baker Theater, Kantner Hall. OU student admission is free with a valid ID, non-OU students and senior tickets are $7, and general admission is $10.

Top Girls was written in the ’80s by British playwright Caryl Churchill as a drama exploring themes of success, power, feminism, and politics.

It chronicles the life of a ruthless career-driven woman named Marlene as she manages a promotion and her idea of success in a patriarchal society.

The play examines different ideas of feminism while discussing its relationship to British politics and ideals. It often refers to Margaret Thatcher, then Prime Minister, and delves into the political influence of life on society.

Additionally, Top Girls explores perspectives of women throughout history, and focuses on maternity, ambition, and poverty.

Churchill was well known for her interest in politics, and has explored themes of sexual exploitation, power, and feminism in other works.

Since its debut in 1982, the play was well-received by critics and playwrights alike, becoming a popular production to re-appear on Broadway and in theaters around the world.

In a 2002 article by The Guardian, Critic and Playwright Mark Ravenhill is said to have called Top Girls “The best play of the past 20 years.”

In addition, in 1983 the play won the Village Voice’s Obie Awards (off Broadway awards) for playwriting, directing and ensemble performances for both the original British cast and the American cast that replaced it.

Ohio University’s production of Top Girls will be directed by Allison Epperson for her M.F.A. thesis project as the culmination of her degree in the Professional Director Training Program at Ohio University.

The student cast includes Erika Gellner, Daisy Bentley, Kristin Conrad, Summer Finley, Lauryn Glenn, Perri Olson, Carlie Meyers, Liv Wilson and Evie Weir.

The show will run at 8 p.m. each night, and talk-backs with the cast will take place on Nov. 4 and Nov. 8.

PHOTOS: Andy Grammer at Ohio University October 30

October 31st, 2017 by

Monday, Oct. 30, Andy Grammer stopped by the Ohio University campus for a performance at the Templeton-Blackburn Alumni Memorial Auditorium. Take a look at these photos of the performance, taken by WOUB’s Connor Kurek.

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Navajo Culture Celebrated by WOUB-HD’s Broadcast of ‘Navajo Math Circles’

October 30th, 2017 by

Despite the twisty, unpleasant feeling that the word “math” may summon inside you, it’s important to understand that math isn’t simply pages of multiplication tables or lines upon lines of pre-calculus.

Math circles, initially developed by educational systems in European countries, are based on this understanding of mathematics – one that typically only those with higher education degrees within mathematics are routinely exposed to. Math circles are informal programs for children K-12, geared around teaching through discovery and problem solving rather than working on repetitive math exercises. To do this, the programs bring in itinerant mathematicians from institutions all over the country, as well as provide interweaving context for math within the children’s individual cultures.

November 2 at 10 p.m., WOUB-HD will air Navajo Math Circles, a documentary by leading mathematics documentarian, George Csicsery. The film features Ohio University College of Arts and Science’s mathematician Bob Klein, Ph.D., and was originally aired last year. The film is being re-broadcast across the nation by several PBS affiliates in celebration of November as National Native American Heritage Month.

In 2012 Klein first learned of the application of math circles within the Navajo Nation at Diné College in Tsaile, AZ, not far from Klein’s hometown of Albuquerque, NM.

“Once I learned about the project, I jumped on the opportunity to get involved,” said Klein, who specializes in mathematics education. “Math Circles are all about considering how you can generate an interest in mathematics in an area that will eventually become a self-sustaining group of people who want to focus on solving beautiful, joyful, amazing math problems.”

Klein emphasized that the problems that these young people are dealing with in the context of math circles have more to do with learning how to problem solve in general, rather than find “one correct answer.”

“You go into (these problems) knowing that you will have to try several different strategies, and that you will fall on your face a couple of times throughout the process. It’s a joyful, freeing process and we believe that it’s the best training ground for the problem solving that takes place in every discipline,” said Klein.

The work doesn’t end with calculations on white boards, or even with open discussion about some of the most befuddling math problems of the 21st century.

“The work that we do in math circles is largely identity work; changing how you think about mathematics and how you think of yourself relative to mathematics as a user and doer and enjoyer of mathematics,” said Klein. “If you come from any other group that has been traditionally marginalized when it comes to STEM subjects, whether due to historical trauma, such as the Navajo; or due to gender inequities, such as with women – whatever that is, if it’s going to be a roadblock for you in how you think of yourself as a doer of mathematics, it’s a part of the identity work that we do in math circles. In the case of the Navajo nation, we made a conscious effort to make connections with the community to be able to provide cultural enrichment alongside the mathematics. Mathematics must be valued in parallel with the culture.”

“The work that we do in math circles is largely identity work; changing how you think about mathematics and how you think of yourself relative to mathematics as a user and doer and enjoyer of mathematics.” – Bob Klein, Ph.D. of Ohio University

Csicsery, who spoke to WOUB Public Media via telephone from California the week before his film’s scheduled re-airing on WOUB-HD, said that the Navajo identity was a huge part of the development of the film itself.

“My goals for the film shifted during the production of the film,” he said. “At first I wanted to document the interactions between the Navajo children and their parents and the mathematicians who were a part of the program. Very quickly I learned that the situation offered some other very interesting opportunities. The Navajo culture itself was a part of the content of the story – this program isn’t just about teaching mathematics, it is about how the culture of mathematics itself could sort of graph itself onto the Navajo culture and become relevant to the everyday experiences of Navajo children.”

PHOTOS: John Sims’ ‘Confederate Flag: a Public Hanging’

October 26th, 2017 by

On Thursday, October 26, artist John Sims performed his piece Confederate Flag: a Public Hanging in the Scripps Amphitheater. The performance featured the hanging of a Confederate flag on 13-foot gallows, symbolic of judgment and reckoning against the Confederate history of white supremacy, contemporary terrorism, and Jim Crow laws.

The artist states: “As Confederate flags and monuments come down all across the country, it is the time more than ever to bring the Confederacy, it’s history, symbols and icons to justice.”

After the performance, the work was taken to be displayed as The Proper Way to Hang a Confederate Flag, a part of the Kennedy Museum of Art’s exhibition Expression and Repression, which will be on display through December 22, 2017.

Take a look at these photos of the performance, taken by WOUB’s Nickolas Oatley.

ShaVaughn Peterson walks off stage after singing the National Anthem. (Nickolas Oatley/WOUB)
ShaVaughn Peterson walks off stage after singing the National Anthem. (Nickolas Oatley/WOUB)
A djembe performer awaits to play in front of people gathered at Scripps Ampitheatre. (Nickolas Oatley/WOUB)
A djembe performer awaits playing in front of people gathered at E.W. Scripps Amphitheatre. (Nickolas Oatley/WOUB)
Ohio University students, professors and Athens community members gather around Scripps Ampitheatre at high noon on Thursday, October 26 for the hanging of the Confederate Flag at the gallows. (Nickolas Oatley/WOUB)
Ohio University students, professors, and Athens community members gather around Scripps Amphitheatre at high noon on Thursday, October 26 for the hanging of the Confederate Flag at the gallows. (Nickolas Oatley/WOUB)
John Sims helps hang up the Confederate Flag from the 13-foot gallows. (Nickolas Oatley/WOUB)
John Sims helps hang up the Confederate Flag from the 13-foot gallows. (Nickolas Oatley/WOUB)
The Confederate Flag is hung from a noose at the top of a 13-foot gallows. (WOUB/ Nickolas Oatley)
The Confederate Flag is hung from a noose at the top of a 13-foot gallows. (WOUB/Nickolas Oatley)
Music fills the ampitheatre while the Confederate Flag is hung. (Nickolas Oatley/WOUB)
Music fills the amphitheater while the Confederate Flag is hung. (Nickolas Oatley/WOUB)
Jazzmine Zabriel, Philosphy and Communications Major, reads poetry at Scripps Ampitheatre with friend Prince Shakur. (Nickolas Oatley/WOUB)
Jazzmine Zabriel, Philosophy and Communications Major, read poetry along with Prince Shakur. (Nickolas Oatley/WOUB)
Prince Shakur, Joana Watson and Jazzmine Zabriel embrace each other after the National Anthem. (Nickolas Oatley/WOUB)
Prince Shakur, Joana Watson, and Jazzmine Zabriel embrace each other after the ceremony. (Nickolas Oatley/WOUB)
John Sims thanks Ohio University students for holding this event here on campus. (Nickolas Oatley/WOUB)
John Sims thanks Ohio University students for holding this event here on campus. (Nickolas Oatley/WOUB)
Jé Exodus Hooper gets everyone on their feet and dancing. (Nickolas Oatley/WOUB)
Jé Exodus Hooper gets everyone on their feet and dancing. (Nickolas Oatley/WOUB)
Jazzmine Zabriel, Prince Shakur and others present at the public hanging dance around the ampitheatre. (Nickolas Oatley/WOUB)
Jazzmine Zabriel, Prince Shakur and others present at the public hanging dance around the amphitheater. (Nickolas Oatley/WOUB)
Complimentary AfroRebel cake and hot cider is served until 4:00 p.m. at Scrips Ampitheatre. (Nickolas Oatley/WOUB)
Following the event, complimentary AfroRebel cake and hot cider are served until 4 p.m. at  E.W. Scrips Amphitheatre. (Nickolas Oatley/WOUB)

 

Ohio University Lancaster Theatre’s ‘Moon Over Buffalo’ Opens November 1

October 25th, 2017 by

Ohio University Lancaster Theatre presents Moon over Buffalo, a comedy by Ken Ludwig, running from November 1 – 5, 2017.

Rashaan Holloway, a senior studying Multi-Media Management and actor in the play, urges everyone to attend, “It’s one of the funniest shows to come out of Broadway in the last 20 years, playwright Ken Ludwig is a genius. The characters are colorful, the dialogue is poppy, and Professor Jones, along with all the crew members, have put together one of the most alluring sets I’ve ever seen; it’s truly an escape from the daily grind and it provides lots of fun for families, students, teachers, and anyone else who are looking for inspired live entertainment,” he said.

Holloway plays Howard, a weatherman who is engaged to Rosalind, the daughter of the play’s protagonist, George. Holloway is excited to play the role saying, “What interested me about the character of Howard was his innocent, loveable nature.  He is a very down-to-earth character and tends to get along with everyone he encounters, but at the same time he can’t fully loosen up due to constantly worrying about and wanting acceptance from other people.  I find myself relating to his silly qualities and the levels of depth to his personality, he’s truly one of the more amusing, colorful characters of the show.”

In the madcap comedy tradition of Lend Me a Tenor, Moon Over Buffalo centers on George and Charlotte Hay, fading stars of the 1950s. On the brink of a disastrous split-up caused by George’s dalliance with a young ingénue, they receive word that they might just have one last shot at stardom: Frank Capra is coming to town to see their matinee, and if he likes what he sees, he might cast them in his movie. Unfortunately for George and Charlotte, everything that could go wrong does go wrong, abetted by a visit from their daughter’s clueless fiancé and hilarious uncertainty about which play they’re actually performing, caused by Charlotte’s deaf, old stage-manager mother who hates every bone in George’s body. Moon Over Buffalo is presented by special arrangement with SAMUEL FRENCH, INC.

Moon Over Buffalo being a comedy made it an exciting show for Holloway. He said, ”The  farcical elements make for an extremely fun time to be on stage and is certainly a treat for audience members. This allowed the cast to really challenge their acting abilities all while having fun.”

Holloway plans to work in the entertainment business by becoming a producer-director-actor-writer hybrid in Hollywood or among the Indie-circuit, following graduation. He’s extremely proud of his fellow crewmates and thankful for his professor and play’s director Jones for allowing him the opportunity to explore his talents.

Performances begin Wednesday, November 1 at 7 p.m. through Sunday, November 5, Tickets are available online at here or at Ohio University Lancaster’s theatre box office (located in the OUL north lobby) staffed Monday through Friday, 12 p.m. to 4 p.m., and one hour before shows or call (740) 681-3353. For more information on the OUL Theatre program, contact A. Victor Jones, Artistic Director and Lecturer of Theatre for Ohio University Lancaster at jonesv2@ohio.edu.

OU Performing Arts Presents 3 Doors Down Acoustic Tour Feb. 7

October 25th, 2017 by

3 Doors Down has announced plans to stage the “Back Porch Jam” Tour, an acoustic interpretation of the band’s hits, fan favorites and deep album cuts. All ticket purchasers will receive a limited-edition digital EP featuring acoustic performances of “Kryptonite,” “It’s Not My Time,” and “I Don’t Want To Know.” The tour will be coming to Ohio University on February 7 at 7:30 p.m.

Formed in 1995, Grammy Award®-nominated multi-platinum Mississippi rock band 3 Doors Down consistently captivates audiences worldwide. The quintet’s many accolades include selling 20 million albums globally, receiving three Grammy nominations, and winning two American Music Awards, and five BMI Pop Awards for songwriting including “Songwriter of the Year.” Their debut The Better Life, became certified six-times RIAA platinum in 2000 and was fueled by the success of juggernaut hit “Kryptonite.” This was followed by 2002’s sophomore album, Away from the Sun which went triple-platinum and saw similar success with “When I’m Gone” and “Here Without You.”  2005’s platinum Seventeen Days and 2008’s 3 Doors Down each earned #1 debuts on the Billboard Top 200, while Time of My Life landed at #3 in 2011. Ignited by the single “In The Dark,” 3 Doors Down unleashed their sixth full-length album, Us and the Night, which debuted top 10 on the Billboard Top 200 in 2016.

Tickets:
$55 – first 10 rows
$45 – remainder floor
$35 – balcony

Concert Connection Pre-Sale: October 26 at 12 p.m. (tickets for concert connection members must be purchased directly through the Memorial Auditorium ticket office either by phone or in person).  Click here for more information about Concert Connections

Public On-Sale:  October 27 at 10 a.m. (online, in person, or by phone). Please Note: We expect a high volume of calls the first day of sales.  This will make it difficult to purchase tickets over the phone.

Purchase Tickets Online – Click Here

More Information: www.ohio.edu/performingarts

 

PHOTOS: Gavin DeGraw at OU Oct. 21

October 23rd, 2017 by

Gavin DeGraw’s 2017 RAW tour stopped by Ohio University’s Templeton-Blackburn Alumni Memorial Auditorium Saturday, Oct. 21. Check out these photos of the performance, taken by WOUB’s Connor Kurek.

DeGraw is a multi-platinum selling singer, performer and songwriter. He first broke through with the 2003 release of his debut album, Chariot, which sold over 1 million copies, earned platinum certification, and yielded three hit singles: “I Don’t Want To Be,” “Follow Through,” and the title-track, “Chariot.” Gavin’s self-titled second album debuted at No. 1 on the digital sales chart and at No. 7 on Billboard’s Top 200 album chart in 2008, earning Gavin his first Top 10 album. It spawned the hit singles “In Love With A Girl,” which Billboard dubbed “a rocking homerun,” and the gold-certified “We Belong Together.”

In 2009, Gavin released Free as a gift to his die-hard fans clamoring for recorded versions of Gavin’s live favorites. His third studio album, Sweeter, was released in September 2011 and produced the smash single, “Not Over You,” co-written with OneRepublic’s Ryan Tedder. The track reached #1 on the Hot AC charts, was a top 10 hit on Top 40, and was certified double platinum.  In 2013 DeGraw released his fourth studio album, Make A Move, which included the hit song “Best I Ever Had”,” and garnered rave reviews from such publications as Billboard, People and Entertainment Weekly amongst many others. In addition, Gavin was nominated for his first Grammy for “We Both Know,” the song he co-wrote with Colbie Calliat for the 2013 film, “Safe Haven.”

Since then he has been consistently touring around the world, including sold out dates with the legendary Billy Joel and hit a milestone with the release of his first greatest hits compilation titled Finest Hour in the fall of 2014. Gavin’s fifth studio album, Something Worth Saving, released last September through his longtime label RCA Records, and featured the hit single “She Sets The City On Fire.” DeGraw is currently on the road in the US on the Gavin DeGraw RAW TOUR, which will showcase songs from DeGraw’s entire catalogue performed as a trio for the very first time in the US and will be diving deep into his catalogue presenting his songs in their truest live form. For more information visit www.gavindegraw.com-facebook.com/gavindegraw.

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Multimedia Artist John Sims Brings ‘Confederate Flag: a Public Hanging’ to OU Campus

October 20th, 2017 by

Thursday, October 26, at high noon, multimedia artist John Sims will present Confederate Flag: a Public Hanging, in the Scripps Amphitheater featuring the installation The Proper Way to Hang a Confederate Flag. The installation depicts a Confederate flag hanging from a 13-foot gallows. This symbolic hanging is an act of justice for the many crimes of white supremacy, Jim crow segregation, and the contemporary terrorism associated with this flag and the Confederacy. A community potluck will follow the performance, as was customary to public executions throughout the history of the United States.

A live broadcast of the performance will be available at burnandbury.org.

Multimedia artist John Sims. (Submitted)
Multimedia artist John Sims. (Submitted)

Sims initially created the performance piece in 2004 in Gettysburg, PA, but due to a backlash from Sons of the Confederate Veterans, and threats of violence, the piece was compromised and only shown inside, minus the performance.

Some 13 years later, the artist will present for the first time this Confederate flag hanging as it was originally intended, in Athens. The performance will follow a public lecture by Sims, “Transformation Proclamation: Flag, Fire, and Freedom,” on Wednesday, October 25, 7 p.m. to 8:30 p.m. in Schoonover Hall room 145; and precede a public panel discussion, “Beyond the Flag: Art, Activism, and White Supremacy” on Friday, October 27 at 12 p.m. in the Walter Rotunda.

After the performance, The Proper Way to Hang a Confederate Flag will be featured in the Kennedy Museum of Art’s Expression and Repression: Contemporary Art Censorship in America, exhibition, which will have an opening reception on Thursday, October 26 from 5 p.m. to 7 p.m. The exhibition explores Sims work, as well as the work of artists Sue Coe, Kara Walker, and David Wojnarowicz. This exhibition presents the work in the context of freedom of expression, discussing how the artists use subversive or symbolic subject matter in their work to evoke critical thought about significant social issues and conditions, and how and why their work has been repressed or censored in the U.S.

Sims’ contribution to the exhibition is a part of a much larger work that he’s been creating for nearly two decades, entitled the Recoloration Proclamation. The artist describes the project on his website:

The Recoloration Proclamation has developed into a flag exhibition and film project that deals with issues of race, religion, and corporate branding. The exhibition part presents a collection of recolored Confederate, Israeli, Palestinian, and Chinese flags aimed to engage the idea of averaging sacred codes, symbols, and colors. In a visual political context the work initiates a difficult discourse on the psychological complexities of symbol warfare.”

Sims is a graduate of Antioch College in Yellow Springs, OH, and he expressed that he is excited to bring the performance to Ohio.

“I want people to walk away with this idea of the unresolved civil war. I believe, as an artist, that the country is in a moment where we can start thinking about bringing the Confederacy to justice — to start working through some of that pain, some of that trauma,” said Sims. “At the end of the day, I don’t really think that it is about the flags, or the Confederate monuments — that is just the surface, and underneath the surface is the unresolved issue of the Confederacy. This project is about what it means for the Confederacy to be unresolved, and how it can be brought to justice. The idea here is that there is a process to bringing the Confederacy to justice, to examine that history in a very open, critical, and direct way.”

 

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Regional Artists Featured in “Verdant: An Exhibition of Plant-Inspired Art”

October 19th, 2017 by

Friday, Oct. 20, the Ohio University Multicultural Center Art Gallery on the second floor of Baker University Center will host a reception for the exhibition, Verdant: An Exhibition of Plant-Inspired Art, from 5 to 8 p.m. .

The exhibition will be on display Oct. 5 through Dec. 8 and features work by regional artists Simona Aizicovici, Polly Creech, David and Janet Gustafson, John Gutekanst, Waldena Hendrix, Natalie Horvath and Keith Wilde.

The exhibition is open 8 a.m. to 8 p.m. in the Multicultural Center, and there will be a special opportunity to meet the artists on Wednesday, Dec. 6.

Friday’s reception will feature refreshments, and will be free and open to the public.

 

OUL’s Minar Wrote Poem for Inauguration of Ohio University’s 21st President

October 19th, 2017 by

The Investiture of Ohio University’s 21st President, M. Duane Nellis featured Ohio University Lancaster Professor of English Scott Minar’s poem written to commemorate the investiture ceremony, which he read live at the 2 p.m. ceremony Wednesday, October 18.

Minar was honored to be selected by the inauguration committee. “I was, and this is a British saying, gobsmacked—very surprised. My department colleague  wrote to ask me on behalf of the inauguration committee. I was and am deeply honored—both by the request and the inclusion of the poem in the program and ceremony.”

Although surprised, Minar accepted the challenge right away, “This request was so unusual in my experience that, strangely, I did not hesitate. I have to say, however, that I had no idea whether or not such a task could be done by me. I took it on for the adventure, I suppose—because it seemed such an interesting and honorable thing to do.”
The poem was printed on the inauguration program as well as a card and lapel pin as the official keepsake of President Nellis’ inauguration. It is entitled The Lamp Carrier and Minar wrote it specifically for the Investiture Ceremony. “The poem is an extended metaphor in homage to the people who work in the highest leadership roles in university education. It is such an important job in so many ways. Dr. Nellis is a geographer by discipline, so part of the poem’s inspiration lies in maps and natural history—but also in the connections between these things and what it is we are trying to accomplish together at places like OU. Its focus is on students, professors, and academic leaders.”

I have the advantage of being married to an academic dean, Dr. Roberta Milliken who is Dean of the College of Arts and Sciences at a university in southern Ohio. She told me once that her primary goal is to support in any ways that she can the teachers, researchers, and students in her college. She considers it very important work indeed. So do I.”

Minar’s career is peppered with awards and honors for outstanding teaching and professor of the year selections – he takes none of it for granted. “I think they have all been a surprise, the ones that have come specifically from students, from student organizations, have been very moving for me.  I have always said that teaching is very hard work; teaching writing is amazingly hard. There is so much to learn, so much to critique—so many different ways to do it right (or to go astray). But it is also a consuming task, like being an Anglican priest or a minister in some ways. Recognition is kind of the last thing you expect, because the task is so prominent in front of you. When it comes, I suppose we feel nothing but joy really. I feel deeply grateful and privileged by them all. People are very kind.”

Minar has a Ph.D in American Literature and Creative Writing from Ohio University. He taught his first class, as a graduate student, in 1979 and has been a tenured English professor at Ohio University Lancaster since 2000. Minar credits his early teachers for the direction he chose. “Some of it seems like magic or luck to me. I had the right teachers at the right time, I suppose. I had great teachers and many of them. I remember them all. Wandering around literature is like wandering around the Louvre or the Art Institute of Chicago.  There are so many wonderful things to be found there, the allure is almost irresistible—especially for a young person who like things of that sort. I knew nothing about creative writing back then. College taught me that. I took my first class, kept going, and never looked back.”

Minar is grateful for his regional campus experience. “My career as an educator and a writer has been amazingly rewarding. I have been lucky in ways that surprise me when I think about them. I want to highlight how proud I am of our regional campus students and faculty. We are Bobcats, one and all. My faculty and administrative colleagues have done so much to help steward and promote my work over the years. I want to say thank you and express my profound gratitude to all.”

Minar’s latest book of poetry, Cymbalism, was published by Mammoth Books in 2016 and will appear in Arabic in the Middle East and Australia with a release date later this year.

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LFC Presents 16th Annual Performance of ‘The Rocky Horror Picture Show’

October 18th, 2017 by

The Lost Flamingo Company (LFC) will be presenting its 16th annual performance and screening of the 1970’s cult-classic film, The Rocky Horror Picture Show Oct. 19 through Oct. 21 at The Union.

The LFC, Ohio University’s only student-run theater company, has made Rocky Horror a routine event shown around Halloween each year.

The event consists of a screening of the film on a large projector, accompanied by live acting on a stage. The stage actors will be mimicking the characters in the film with everything from dress, to make-up, to belting out the exact lines. Meanwhile, audience members will be singing, shouting, and throwing one-liners back at them.

“It’s going to be really loud,” said director Darragh Liaskos.

The Rocky Horror Picture Show began as a comedy/musical theater production written by Richard O’Brien in 1973. It was first shown in London, England, and shortly after began its NYC Broadway debut in 1975.

That same year, Director Jim Sharman, alongside 20th Century Fox, adapted the production to film.

The movie chronicles the experience of a young engaged couple, Brad Majors and Janet Weiss, whose car breaks down outside of a home occupied by strange characters. They find the house to be run by mad scientist Dr. Frank-n-Furter and have wild experiences with sex, seduction, and singing.

“There’s really no plot to it… but everyone loves it. There’s a lot of drag, gay sex, kissing, screaming and just a lot of fun,” said Liaskos.

As the film and various productions continued to be shown around the United States, fans developed a cult-following, and increasingly started participating in the action. Audience members became as important to the film as the actors on screen.

Among the most notable audience participation includes screaming call-backs, or responses to the characters lines. The most famous call-backs have been evolving with audiences since the ’70s.

“When you’re on stage everyone just sings along and does all the call-backs with you and it’s just such a thrill,” said Logan Amon, a senior child/family studies major playing Dr. Frank-n-Furter.

In addition, each year before the show begins The LFC presents what is called “The Virgin Sacrifices,” calling to the stage any first-time audience members. First time audience members always leave with interesting memories about their first experiences with the show, kicking off with this unique pre-show ritual.

“They sort of get the audience ready for the sexual deviance that’s about to happen on stage,” said Liaskos.

The Rocky Horror Picture Show is performed each year in theaters around the world. It has solidified its own sort of culture throughout the years, and has become a much awaited event for audience members globally.

The LFC production of the show kicks off Thursday, Oct. 19. Admission each night is $5 and doors will open at 9 p.m. every night. 

 

PHOTOS: Finding Kindness With Netflix Star Leon Logothetis

October 17th, 2017 by

Netflix’s Leon Logothetis — what one might call a “kindness expert,” stopped by the Ohio University campus on Tuesday, October 17, 2017 to help WOUB Public Media kick off local author Nicole J. Phillips’ new podcast, The Kindness Podcast. Logothetis is the first guest on Phillips’ show, which you can check out right here.

Take a look at these photos taken during the event.

Those gathered for the meet and greet before Leon Logothetis' speaking engagement enjoyed light refreshments and friendly company. (WOUB/Emily Votaw)
Those gathered for the meet and greet before Leon Logothetis’ speaking engagement enjoyed light refreshments and friendly company. (WOUB/Emily Votaw)
Seats fill up on the Baker University Center's Theater. (WOUB/Emily Votaw)
Seats fill up in the Baker University Center’s Theater. (WOUB/Emily Votaw)
WOUB's Kathy Malesick opens up the Finding Kindness event. (WOUB/Emily Votaw)
WOUB’s Kathy Malesick opens up WOUB’s Finding Kindness event. (WOUB/Emily Votaw)
Nicole J. Phillips with WOUB's Adam Rich, who engineered her new podcast. (WOUB/Emily Votaw)
Nicole J. Phillips with WOUB’s Adam Rich, who engineered her new podcast. (WOUB/Emily Votaw)
Leon Logothetis gave a short speech about the nature and accessibility of human kindness for a healthy sized crowd on Tuesday, Oct. 17, 2017. (WOUB/Emily Votaw)
Leon Logothetis gave a short speech about the nature and accessibility of human kindness for a healthy sized crowd on Tuesday, Oct. 17, 2017. (WOUB/Emily Votaw)
Leon Logothetis speaking in the Baker University Theater on Tuesday, Oct. 17, 2017. (WOUB/Emily Votaw)
Leon Logothetis speaking in the Baker University Theater on Tuesday, Oct. 17, 2017. (WOUB/Emily Votaw)

 

Ohio Playwright’s Work On Addiction to Be Read at ARTS/West Oct. 13

October 12th, 2017 by

UnknownAs the opioid epidemic continues to surge throughout the country, and, in particular, Southeast Ohio, one must wonder what collective emotional truths are being unearthed by this tragedy.

Such truths are excavated and explored by Ohio playwright Greg Vovos’ Well Beings, which will be produced as a reading by the Brick Monkey Theater Ensemble Friday, Oct. 13 at ARTS/West at 7 p.m. Vovos will be at the reading and present for an audience talkback following the performance. The event is free and open to the public.

“The play deals with two addicts, one with his family and one with his girlfriend,” said the production’s director, Brian Evans. “Vovos took these stories, based on interviews he conducted with addicts in Northern Ohio, dramatized them, and put them in a theatrical setting so that we can see the day-to-day lives of these people who are struggling.”

An opioid (heroin; but also hydrocodone, oxycodone, morphine; and, as of late, the incredibly strong fentanyl and carfentanil, as well as a slew of other drugs,) act on opioid receptors, which are nestled throughout the human body but especially in the brain. Ingestion of the substance leads to a flooding of the neurotransmitter dopamine, which is naturally created by the human body to regulate everything from sleeping to eating to procreating to telling your mother you love her.

The giddy, lighter-than-air euphoria created by the overproduction of dopamine comes at a price. Addiction potential is huge for such drugs – and once you overproduce any neurotransmitter, it is a painful, lengthy process to get your brain back to creating those essential juices at a natural, healthy rate.

From 2015 to 2016 the number of accidental deaths from drug overdoses in Ohio rose from 3,050 to 4,050, many of them stemming from fentanyl and carfentanil. That number is on a terrifying rise in 2017.

“Addicts have to struggle immensely in maintaining relationships and in just trying to function in general,” said Evans. “Their addiction is often an obstacle in their lives that they cannot overcome. What Vovos is trying to do is to give their struggle a face, so that we can relate to the subject on a much more personal level.”

For many in the Ohio Valley personally knowing an addict is an emotional, spiritual, and psychological strain.

“Sometimes, the logical choice in a situation can be clear, but when it comes to someone in your family, or someone you love, the emotional choice can be very difficult, and it can’t be overlooked,” said Evans. “Sometimes you care so much about someone that you make irrational decisions, and it’s very hard to make the right decision about the person you love. Everybody’s story is so different. We can hear these stories and make generalizations, but everybody is affected by addiction in different ways. Just seeing numbers and statistics about addiction and overdose deaths can be overwhelming, numbing. When you’re listening to someone’s story, empathy for them comes much easier.”

"Well Beings" playwright Greg Vovos. (Submitted)
“Well Beings” playwright Greg Vovos. (Submitted)

WOUB Welcomes Netflix Star to Launch New Kindness Podcast Oct. 17

October 11th, 2017 by

Nicole Phillips should have been on top of the world.

She was employed as a television news anchor, had three remarkable children, and an accomplished, committed husband – but she still felt like her life was passionless and pointless.

That all changed when she committed a random act of kindness toward another person – something that soon defined her personally and spiritually. Those acts of kindness, which she started to chronicle in a weekly syndicated newspaper column, not only served her personally, allowing her to beat depression, lose weight, and improve the rocky relationship with her mother, but also touched a countless number of people.

In 2015, Phillips was diagnosed with breast cancer. She “used kindness as chemotherapy,” which helped her work through difficulties confronting her. Phillips is now a published author, with her first book, Kindness is Contagious: 100 Stories to Remind You God is Good and So are Most People, having been published November 2016.

Phillips is now bringing her stories of human kindness to WOUB through “The Kindness Podcast,” which will be hosted weekly by the author.

“I had always wanted to do some type of podcast or radio show dealing with kindness; I always thought that it would be a good medium for it,” said Phillips, who said that the new podcast was born after WOUB’s Tom Hodson interviewed her earlier this year about her new book. “Tom (Hodson) asked if there was anything else that he could do for me, which is a very kind thing for a person to ask. I told him about my idea, and we ran with it.”

On the podcast, Phillips interviews various kindness “experts, advocates, and people with incredible kindness stories.”

“It’s amazing to talk to these people, because when I do, I begin to think ‘wow, maybe the world will be okay after all,’” said Phillips. “It’s inspiring just to talk to them.”

Phillips’ podcast debuts Thursday, Oct. 12 on woub.org/listen.

One of those kindness experts that Phillips speaks with is Netflix star Leon Logothetis, a man who was formerly a London-based broker but who left his secure employment to explore the nature of human kindness. His adventures are chronicled by Netflix’s The Kindness Diaries.

On Oct. 17, WOUB Public Media will celebrate Nicole’s podcast with a special appearance by Leon Logothetis in the Ohio University’s Baker University Center’s room 240. The event kicks off at 7:30 p.m., and attendance is free to the public. Both Phillips and Logothetis will speak. Logothesis will be on hand to sign copies of his book The Kindness Diaries: One Man’s Quest to Ignite Goodwill and Transform Lives Around the World, which are currently available at the Little Professor Book Center located at 65 South Court Street in Athens. Logothetis’ and Nicole’s books will also be for sale at the event.

The event is sponsored by Hyacinth Bean Florist, Donkey Coffee and Espresso, OhioHealth, David White Services, and the Athens County Visitor’s Bureau.

Leading up to the event Athenians are encouraged to highlight acts of kindness on social media with the hashtags #athensiskind and #findingkindness.

When asked about her personal definition of “kindness,” Phillips didn’t hesitate.

“Kindness is loving on the people around us – asking about the nature of kindness is a big question, but the answer is simple – you love on the person in front of you,” she said. “It can be your money, your time, your talents, even just your decision to not judge someone, to love them just the way they are.”

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OU Theater Division’s ‘In the Next Room’ Opens Oct. 5 in Forum Theater

October 5th, 2017 by

Ohio University’s Theater Division will be kicking off its 2017 fall season with the production of In the Next Room, or The Vibrator Play. The show will take place in the Forum Theater in the RTV building on the Ohio University Athens campus October 5-7, and 10-14. General admission is $10, OU student admission is free with a valid ID, non-OU student admission is $7, and seniors can get in for $7.

Written by Sarah Ruhl in the early 2000s, The Vibrator Play is a comedy that explores themes of sex, gender, relationships, and societal roles in 19th century America.

(Zane Wilson/WOUB Public Media)
Annie Ganousis (Catherine Givings) in “In the Next Room, or The Vibrator Play.” (Zane Wilson/WOUB Public Media)

At the don of electricity, the play chronicles the early history of the vibrator as a clinical device used to treat women with hysteria. It surveys the marriages of two couples- Dr. Givings and his wife, Catherine Givings, as well as a patient, Mrs. Daldry and her husband.

Bruce McGlumphy (Leo) swaggers amidst "In the Next Room, or The Vibrator Play." (Lisa Buch/WOUB Public Media)
Bruce McGlumphy (Leo) swaggers amidst “In the Next Room, or The Vibrator Play.” (Lisa Buch/WOUB Public Media)

The play examines the relationships and miscommunication present within each marriage as Mrs. Daldry is being treated for hysteria by Dr. Givings.

Ellie Clark (Mrs. Daldry) with Annie Ganousis (Catherine Givings). (Lisa Buch/WOUB Public Media)
Ellie Clark (Mrs. Daldry) with Annie Ganousis (Catherine Givings). (Lisa Buch/WOUB Public Media)

“It’s a sex farce for open hearted and open minded adults…I think at its heart it’s about marital discord because of a lack of understanding and a lack of intimacy in the way that men and women may or may not see the world differently,” said Director Shelley Delaney.

Simone Anderson (Elizabeth) cradles a baby. (Lisa Buch/WOUB Public Media)
Simone Anderson (Elizabeth) cradles a baby. (Lisa Buch/WOUB Public Media)

The stage is split between a parlor room and Dr. Givings’ office, with action happening simultaneously on each side. As Catherine curiously listens through the walls of the parlor, viewers are provided with a perspective of what’s happening “in the next room.”

Annie Gnosis (Catherine Givings) (Lisa Buch/WOUB Public Media)
Annie Ganousis (Catherine Givings) (Lisa Buch/WOUB Public Media)

“Ultimately it is about breaking down both the physical and the metaphysical wall between them,” said Delaney.

However, the play doesn’t only focus on these relationships.

Annie Ganousis (Catherine Givings) with Bruce McGlumphy (Leo). (Lisa Buch/WOUB Public Media)
Annie Ganousis (Catherine Givings) with Bruce McGlumphy (Leo). (Lisa Buch/WOUB Public Media)

It also touches on the cultural climate of the time, exploring ideas of race, class, technological development, and the profession of wet-nursing.

Timothy Ashby (Mr. Daldry) (Lisa Buch/WOUB Public Media)
Timothy Ashby (Mr. Daldry) (Lisa Buch/WOUB Public Media)

In addition, the play will be presented in the Forum Theater on a rotating stage. This will allow the perspective of audience members to continuously shift throughout each scene.

Annie Gnosis (Catherine Givings) with Brian Epperson (Dr. Givings). (Lisa Buch/WOUB Public Media)
Annie Ganousis (Catherine Givings) with Brian Epperson (Dr. Givings). (Lisa Buch/WOUB Public Media)

“From a technical standpoint this is something that people should see…very few places are doing this and to have it here in Athens is such a cool technique,” said Annie Ganousis, a graduate student actress who will be playing Catherine Givings.

The rotation is set at about four feet per minute.

“The entire play seems to be about how you can know that you love somebody but you don’t know how,” said Brian Epperson (Dr. Givings.) “If nothing else, I think people should come see it to understand that we all speak a slightly different language no matter who you are.”

Brian Epperson as Dr. Givings. (Lisa Buch/WOUB Public Media)
Brian Epperson as Dr. Givings. (Lisa Buch/WOUB Public Media)

Lecture By Visiting Scholar of Comparative Literature Oct. 5

October 4th, 2017 by

Dr. Ross Kristen’s 2016 book Communal Luxury: The Political Imaginary of the Paris Commune, on the thought and culture of the Communard uprising of 1871, resonates with the motivations and actions of contemporary protest, which has found its most powerful expression in the reclamation of public space.

Dr. Ross is a professor of comparative literature at New York University and author of including Fast Cars, Clean BodiesMay ’68 and its AfterlivesThe Emergence of Social Space, and Communal Luxury. 

Dr. Erin Shevaugn Schlumpf, visiting assistant professor of film studies, has invited Ross to speak as part of the co-taught graduate seminar in Interdisciplinary Art, “Art and Revolution.”

 Ross will present her lecture from 2–5 p.m., with a break at the midpoint, followed by a discussion. Free and open to the public.

‘The Simon and Garfunkel Story’ Headed to OU Oct. 4

October 3rd, 2017 by

There are few duos more iconic than Simon and Garfunkel.

Not only a huge part of the folk-pop boom of the ‘60s, the group’s slim but ultimately incredibly powerful discography also influenced generations of indie rockers, singer-songwriters and just about everybody else who has picked up a guitar since the late ‘60s.

On Oct. 3, The Simon and Garfunkel Story, an award-winning theatrical and musical take on the development and cultural relevance of the duo, is coming to Ohio University’s Templeton-Blackburn Alumni Memorial Auditorium.

Taylor Bloom, who portrays the part of Paul Simon in the production, said that he’s spent a lifetime listening to iconic singer-songwriters.

“I grew up listening to stuff like Dan Fogelberg, Cat Stevens, James Taylor – and Simon and Garfunkel are in some way responsible for popularizing that style of music,” said Bloom. “Because they managed to achieve such great heights with their music, they managed to open the doors for others who wanted to craft really beautiful, simple music.”

In preparation for the role, Bloom researched Simon studiously, examining the artist’s life before and after achieving great success with his musical compadre, Art Garfunkel.

Ryan M. Hunt, who will be portraying Art Garfunkel in the show, said that he remembers singing “The Sound of Silence” with his father as a young child.

“My parents were actors and musicians, and we listened to a lot of the music of their childhood while I was growing up, so Simon and Garfunkel were just a staple,” said Hunt. “One of the first memories I have of learning what harmonizing really meant was when my father would sing the Paul Simon vocal part to “The Sound of Silence” and I would sing the Art Garfunkel part. Their voices have always been in my life.”

The show itself covers everything in the outfit’s history, from their early years as the Everly Brothers-like Tom & Jerry to their reunion concert in Central Park – which continues to be one of the most highly attended concerts in the history of pop music.

“We don’t really leave any stone unturned,” said Hunt. “There are certainly times in (Simon and Garfunkel’s) history that they were apart, but the music was always the most important thing. We are really aiming to tell this story through the music.”

Tickets are on sale now, $35 for the first ten rows and $25 for the remaining ones. Tickets available by visiting this link or calling the box office of Ohio University Performing Arts at 740-593-1780. 

Showdown Returns to WOUB Studios October 1

September 30th, 2017 by

On the first Sunday of the month (excluding summer months), WOUB has been hosting back-to-back bluegrass performances in the station’s studios since 1982, calling the endeavor Showdown.

On Sunday, October 1, Showdown will return to WOUB, with the entirely free and open to the public performances taking place in WOUB Radio Studio A on the third floor of the Radio-Television building on the Ohio University Athens campus starting at 1 p.m. The fall 2017 inaugural performances will be by Won Peace and Out of Mind. Each outfit will perform for an hour, and then speak with the host of the show.

“It all started when one of (WOUB’s) former hosts managed to get a hold of the Hart Brothers in 1982, and wanted to have a one-off performance of theirs in the studio,” said Rusty Smith, WOUB’s FM Director. “It was so much fun, we decided to keep doing it.”

The Kevin Practer band performs in a installment of Showdown from 2014. (WOUB/Soozan Palsa)
The Kevin Practer band performs in a installment of Showdown from 2014. (WOUB/Soozan Palsa)
WOUB audio engineer Adam Rich at the controls of a Showdown performance. (WOUB/Soozan Palsa)
WOUB audio engineer Adam Rich at the controls of a Showdown performance. (WOUB/Soozan Palsa)

 

Material Histories: Cultures of Resistance Now Open

September 29th, 2017 by

2017 has proven to be a time of great political, cultural, and economic anxiety.

It was in reaction to this that curator and associate professor of ceramics at Ohio University’s School of Art + Design Alex Hibbett crafted the Material Histories: Cultures of Resistance exhibition, which opens Friday, September 29 at Majestic Galleries in Nelsonville. The exhibition brings together a myriad of contemporary ceramicists and their works that focus on human rights, man’s relationship with natural resources, and the place of personal histories within the larger context of collective histories. The exhibition will feature a one day symposium on the Ohio University campus on October 13, from 10 a.m. to 4:30 p.m. in the Mitchell Auditorium. The symposium will focus on the examination of the artist’s role and agency in tumultuous times in history.

The exhibition brings with it the Chicago-based Tea Project, the brainchild of artists Aaron Hughes and Amber Ginsburg. The project was born of the unusual love story of a Guantanamo Bay guard and his fascination with the floral etchings that detainees would make on their daily Styrofoam tea cups. Performances aim to have participants consider their role in the larger context of the United States’ involvement with war and torture. On October 12 at 5 p.m., a performance will be staged in Seigfred Hall on the Ohio University campus, room 540. October 14 at 11 a.m., another performance will take place at the Majestic Galleries in Nelsonville.

WOUB’s Emily Votaw spoke with Hughes, Hibbett, artist Shauna Merriman, and Ohio University associate professor of history, specializing in the modern Middle East and North Africa, Ziad Abu-Rish in this episode of Conversations From Studio B about the Material Histories exhibition, the Tea Project, and the larger understanding of what an artists’ duty may be in the midst of enormous uncertainty.

Material Histories Schedule 

Material Histories: Cultures of Resistance
September 29–October 22, 2017

Majestic Galleries, Nelsonville, OH

Opening Reception: September 29, 5–9 p.m.

The exhibition Material Histories: Cultures of Resistance, curated by Alex Hibbitt, brings together contemporary artworks that range from the monumental to the performative. Highlighting concerns such as human rights, our relationship to natural resources and personal histories, this exhibition will feature a one-day symposium focusing on the role and agency of the artist in a time of international political, economic, and cultural uncertainty.

Exhibiting artists:
Amber Ginsburg, Aaron Hughes, Shauna Merriman, Mary Jo Bole, 
Shay Church, and Linda Swanson.

Material Histories Symposium
Friday October 13 (10 a.m.–4:30 p.m.)

Mitchell Auditorium, Ohio University School of Art + Design, Athens

Free and open to the public, no registration required]

Symposium participants include Danielle Julian-Norton (moderator), Amber Ginsburg, Aaron Hughes, Loren Lybarger, Ziad Abu-Rish, as well as select artists from the exhibition.

Artists’ presentations: 10 a.m.–12 p.m.     
Panel discussion: 1:30–3 p.m.
Themed roundtable sessions 3:30–4:30 p.m.
Reception at the Dairy Barn Arts Center, Athens 5–8 p.m.
Tea Project performances
Space is limited & registration is required (email: hibbitt@ohio.edu)

Thursday, October 12, 5 p.m.
 Ohio University School of Art + Design, Seigfred Hall, Room 540

Saturday, October 14, 11 a.m.
The Majestic Galleries, Nelsonville, Ohio
Clay Belt Bus Tour with MJ Bole
Friday, October 20, 7:30 a.m. – approx. 6:30 p.m.

A unique tour of the history and evolution of Ohio’s clay belt region starting in Athens, OH. 

Space is limited & registration is required
.

The Continual Relevance of ‘The Madness of Lady Bright’

September 29th, 2017 by

In May 1964, Greenwich Village’s Caffe Cino debuted Lanford Wilson’s The Madness of Lady Bright, a play that would later be considered one of the very first in the gay theatre movement, as well as one of the catalysts for the highly experimental off-off Broadway explosion of the ‘60s. The production would be a huge success for the venue, performed 205 times over the course of three years.

The work is essentially a monologue delivered by aging drag queen Leslie Bright. Bright is unhinged in time, old friends and lovers drifting in and out of scenes that run the course of about a decade of her life. The theatrical work is one of the first to examine the experience of a queer person in a truly human light – not through lenses that colored queer people as mentally ill or as deviants – but as human beings.

This weekend, the work will be staged as a laboratory production in Putnam Hall 227’s CREATE_space, spearheaded by undergraduate B.F.A. acting senior Bill McAtee.

Undergraduate B.F.A. acting major Bill McAtee in the midst of a dress rehearsal of "The Madness of Lady Bright." (WOUB/Lisa Buch)
Undergraduate B.F.A. acting major Bill McAtee in the midst of a dress rehearsal of “The Madness of Lady Bright.” (WOUB/Lisa Buch)

“I found that I was unhappy with the way queer people were being treated and represented within the school of theater. I felt like we were often being left out of conversations about diversity, and there weren’t any productions that centered queer theory, queer ideas, or queer voices. So, it seemed to me, the best thing I could do was a show that centered a queer character,” said McAtee, who began work on the production last spring. “One of the most important things that I’ve learned is that one should never wait for someone else to give you an opportunity to make art – you should make that opportunity for yourself. I wanted to use this as something that could heal and liberate me from the traumas that I have experienced throughout my life and here at OU. This is an opportunity to create a dialogue with the community about the issues that queer people are facing.”

McAtee decided early on in their artistic process that they wanted to craft the work alongside a group of queer or otherwise marginalized people within the school of theater.

“It is really important to me that my cast and production crew are made up of people from marginalized groups – whether that is a gender fluid person, a trans person, a black woman, a bisexual person, a gay man,” said McAtee. “This has been a really healing process for me, but this isn’t just about me. I wanted to make other people within the Ohio University School of Theater community, as well as the university community as a whole, think about the ways in which they are oppressed or marginalized.”

Leslie Bright (center, Bill McAtee), with Girl (left, Khadijah Wingo) and Boy (right, Connor Daughtery). (WOUB/Lisa Buch)
Leslie Bright (center, Bill McAtee), with Girl (right, Khadijah Wingo) and Boy (left, Connor Daughtery). (WOUB/Lisa Buch)

Nat Smith, a student in the graduate M.F.A. playwriting program, will be directing the production.

“(The Madness of Lady Bright) is a complicated, beautiful, heartbreaking play, and it’s a real challenge to direct – and not just because it doesn’t follow a typical structure and not just because it forces the director to get really creative – it’s very emotionally difficult,” said Smith. “You’re seeing this character who is completely alone, but there are people sort of around them — but they’re really, truly alone. But, first and foremost, I took this on because I wanted to support Bill (McAtee), because I knew that it was really important to them. It wasn’t until after we started working on it that I really fell in love with the play itself. This has been an amazing process of discovery and collaboration.”

“One of the most important things that I’ve learned is that one should never wait for someone else to give you an opportunity to make art – you should make that opportunity for yourself. I wanted to use this as something that could heal and liberate me from the traumas that I have experienced throughout my life and here at OU. This is an opportunity to create a dialogue with the community about the issues that queer people are facing.” – undergraduate B.F.A. acting senior Bill McAtee

McAtee emphasized that much of what they desire for audiences to take home from the production (which McAtee fully funded themselves, buying the rights for four productions of the work for $140) are the very same things that Wilson was thinking about when he wrote the work back in the early ‘60s, while working as a receptionist at the Americana Hotel in New York (now the Sheraton New York Hotel and Towers).

Leslie Bright (Bill McAtee, on floor) kissing Boy (Connor Daughtery). (WOUB/Lisa Buch)
Leslie Bright (Bill McAtee, on floor) kissing Boy (Connor Daughtery). (WOUB/Lisa Buch)

“I want audiences to think about what kind of feelings come along with being queer. When Lanford Wilson, a queer playwright, wrote this, he had a personal stake in portraying a queer person on stage as a human,” they said. “What is so special about the show is that it shows audiences that queer people share the same emotions that straight people feel. Really, the biggest themes of the show are loneliness and abandonment, and how society creates outcasts, how society forces marginalized people to isolate themselves. What Leslie is trying to cope with is taking place before the Stonewall riots (of 1969), it is about what it meant to be lonely and queer before Marsha P. Johnson threw the first brick and launched the gay liberation movement.”

Leslie Bright (Bill McAtee) laying prostrate in a dress rehearsal of "The Madness of Lady Bright." (WOUB/Lisa Buch)
Leslie Bright (Bill McAtee) laying prostrate in a dress rehearsal of “The Madness of Lady Bright.” (WOUB/Lisa Buch)

Performances of “The Madness of Lady Bright” will take place Friday, September 29 through Sunday, October 1 in Putnam Hall 227. The opening show will take place at 8 p.m. on September 29; on September 30 at 2 p.m. and 8 p.m. (with talkbacks), and will close on Sunday, October 1 at 8 p.m., (with talkback). The production is 50 minutes in length. 

 

Andy Grammer to Perform at OU October 30

September 21st, 2017 by

Andy Grammer will perform with a special guest in Ohio University’s Templeton-Blackburn Alumni Memorial Auditorium on October 30. Tickets go on sale Friday, September 22, and are available here.

It is a tale now well told about a street performer on the Santa Monica Promenade who has gone on to reach tens of millions of people worldwide. It was on that California street corner that New York-raised Andy Grammer earned his stripes as a pop star – truly shaping the rare and unique dimensions of the artist he is today. The crowds that gathered to hear him perform on the street are now millions of fans who attend his sold-out tours around the country. The work ethic, fortitude and generous spirit that took shape out there in a public space translated into his first body of work, an album ripe with optimism, encouragement and good vibes. “As difficult as it was some times out there, I wouldn’t change any of it, says Grammer. “It was on that street that I could determine what songs were good. If people stopped and stayed for a while, I knew that song was a keeper.” Signed by S-Curve Records, Grammer released his 2011 self-titled debut album and became the first male pop star in a decade, since John Mayer in 2002, to reach the Top 10 at Adult Pop Radio on his first two singles. Those songs, “Keep Your Head Up” and “Fine By Me” are both certified Platinum.

For his second album in 2014, Magazines or Novels, Andy Grammer solidified his role in the pop music landscape as a premiere songwriter and hit-maker. During this time, the world came to know and love Andy in many new ways; the songs, still full of ‘good guy’ spirits and hope, became more personal and the hits got even bigger. Andy’s music permeated radio and TV networks for nearly two years straight. He even showed the world a hidden talent as a contestant on Dancing with the Stars. As a result, the infectious monogamy anthem “Honey, I’m Good” became a triple platinum smash and one of the ten best-selling songs of the year. It topped the iTunes pop chart and spent thirteen consecutive weeks in the top ten. “Honey, I’m Good” was also #1 on Billboard’s Adult and Dance charts. The euphoric follow up, “Good to be Alive (Hallelujah),” was certified gold.

In 2016, we met a new Andy Grammer. This Andy could safely look back at the last five years and know that his uphill struggle was behind him and blue skies were ahead. His latest single “Fresh Eyes” has become a streaming phenomenon with over 150 million streams. “Fresh Eyes” is also certified gold and is on the Top 10 Adult Pop Radio. Lyrically, “Fresh Eyes” paints a snapshot of those special moments when you realize you’ve fallen even more in love with your significant other. “It can be the littlest things,” says Grammer, “but the world stops for a moment and you’re like ‘oh my God, I love this person so much!”

To Reify Soft and Hard Realities: Speaking With Artist Mary Manusos

September 19th, 2017 by

Ohio University professor emerita of art, Mary Manusos, has been crafting works distinctly influenced by the vivacious Latin American culture that she grew up with in San Diego, CA and her meditations on the past, the nature of memory, and the now versus the later for over 40 years.

Her exhibition “States of Being” is currently on display through the end of September in the Trisolini Gallery in Ohio University’s Baker Center, and she will speak at a gallery talk in the exhibition on Friday, September 22 at 5:30 p.m. She will also be the keynote speaker for a symposium by professional alumni graduates of the Ohio University School of Art + Design on Saturday, September 23; which will take place in Seigfred Hall in the Mitchel Auditorium in room 519.

WOUB’s Emily Votaw spoke with Manusos about her large body of work, a trip to Mexico in the mid-’70s that changed her artistic vision, and how she has seen the nature of professional art change over the course of her career.

Check out the list of INKAHOOTS! events below:

Alumni printing editions during the Alumni INKAHOOTS! week:
(Wednesday, September 20 – Friday, September 22)
Relief— Kristin Powers Nowlin (printing Sept 20-22)
Etching— Carrie Lingscheit (printing Sept 19-22)
Litho— Misty Morrison (printing Sept 18-22)
Paper— Annette Gaspers (working Sept 19-22)
Screen— Bill Fisher (printing Sept 18-22)
Zines— Charlie Touvell & Chris Monday (printing Sept 20-22)

Alumni INKAHOOTS! Artist Talks Schedule:
Bill Fisher — Monday, September 18 9am, Seigfred 201
Annette Gaspers — Wednesday, September 20 9am, Seigfred 201
Misty Morrison & Carrie Lingscheit — Wednesday, September 20 1pm, Seigfred 203
Kristin Powers Nowlin — Wednesday, September 20 4pm, Seigfred 203
Charlie Touvell & Chris Monday — Thursday, September 21 1:30pm, Seigfred 203

Alumni presenting during the Alumni Symposium:
(Saturday, September 23)
Joey Behrens
Jeff Carr
John Cizmar
Emily Cline
Jon Cone
Josh Dannin
Laura Drapac
Benjy Davies
Elizabeth Foley
Mark Hackworth
Bobby Howsare
Traci Molloy
Robert Newman
Cait Nolan
Barry O’Keefe
Frank Oriti
Sage Perrott
Matt Presutti
Cayla Skillin-Brauchle
Scott Smith
Shawn Smith
Anna Tararova
Susan Urano
Connie Wolfe
Danielle Wyckoff

Alumni Symposium Schedule:
8-9 am— BREAKFAST
9-9:30am — Mary’s Keynote Talk
9:45-10:45 am — Teaching Opportunities: Post-Secondary Education Alternatives (Emily Cline, Elizabeth Foley, Cait Nolan, Sage Perrott)
11 am -12 pm — Creating Community Outside of Academia (Joey Behrens, Laura Drapac, Connie Wolfe, John Cizmar)
12-12:30 pm — LUNCH
12:30-1:30 pm — 6 Individual Artist Talks (Traci Molloy, Benjy Davies, Robert Newman, Josh Dannin, Anna Tararova, Shawn Smith)
1:40-2:40 pm —  6 Individual Artist Talks (Cayla Skillin-Brauchle, Jon Cone, Scott Smith, Susan Urano, Matt Presutti, Frank Oriti)
2:50-3:40 pm —  5 Individual Artist Talks (Danielle Wyckoff, Barry O’Keefe, Mark Hackworth, Bobby Howsare, Jeff Carr)
3:50-4:30 pm — Alumni INKAHOOTS! — Recaps of the week
5-7 pm — School of Art Welcome Party at the Aethered Eldridge Mural Arch, special guests Coolville Hotclub and Bill Mason & Alumni INKAHOOTS! Exhibition in second floor hallway cases

 

Second Athens NEDA Walk Slated For September 30

September 19th, 2017 by

More people suffer from eating disorders than one might realize – it isn’t just the slight girl sulking her way back to her dorm after class to exercise the afternoon away – and it isn’t just the person buying multiple pints of ice cream only to vomit them up an hour later, either.

According to the NEDA (National Eating Disorders Association) anorexia alone is the third most common chronic illness in young people, right behind asthma and type one diabetes. People ages 15 to 24 with an anorexia diagnosis are 10 times more likely to die as compared to their peers, the NEDA states. Anorexia has the highest mortality rate of any mental illness.

Bulimia can cause permanent damage to the heart, as well as a slew of complications related to dehydration tied to purging. Many individuals who suffer from bulimia also deal with gastroesophageal reflux disease as a result of forced vomiting.

Binge eating disorder, which is far less societally and culturally glamorized than anorexia (not that losing hair and developing lanugo is glamourous; and not that osteoporosis and amenorrhea are, either, but those aren’t the places most media explore when touching on anorexia) is over three times more common than anorexia and bulimia combined. Binge eating disorder can lead to a wide range of health consequences that are just as deadly as those caused by bulimia or anorexia — including heart disease, type two diabetes, hypertriglyceridemia, and other issues.

While the physiological and psychological underpinnings for all eating disorders may have similarities, those underpinnings express themselves through an endless myriad of abnormal or disturbed eating patterns in each individual – informed by their personal history, genetic makeup, and the societal and cultural climate in which they live.

Last year marked the very first NEDA Walk in Athens, organized by clinical psychology PhD student Shelby Martin. The walk raises funds for the NEDA, a charity that raises funds for eating disorder research.

“(Last year’s walk) was super, super successful,” said Shelby in an interview a few weeks before the 2017 Athens NEDA walk, slated for Saturday, September 30 in West State Park. “I had only ever done one of these before in a very small town in Michigan, and it was tricky to get people to show up in a smaller town. But many more people than I had been anticipating came last year, and we went over our fundraising goal by about $1,000.”

Last year the event was supported by a number of Ohio University campus groups, as well as community organizations. Major players included the Women’s Center at Ohio University, as well as the Ohio University LGBT Center.

“I think that in general people were just anticipating the event this year, and on the lookout for it, so our sponsors were immediately ready to get involved again this year, and a lot of student organizations that had smaller roles last year are taking on larger ones this year,” said Martin, stating that both Resident Life and the Positivity Project have become a bigger part of the walk.

Dr. Geneva Murray, the director of Ohio University’s Women’s Center, spoke at last year’s event, and continues to be a supporter of the walk.

“Since we do live in Appalachia, and there are those stereotypes about what populations are impacted by eating disorders, this walk is important for a number of reasons. Even though we are living in the poorest county in Ohio there are people impacted by eating disorders here. An event like this helps to put a face to those who have eating disorders – and those who are in recovery, what recovery really looks like,” said Murray. “As someone who is a recovering anorexic and bulimic, I know that social connections, like the ones made at an event like this, are very important in recovery, as eating disorders are highly isolative. It’s important to have a space where people can come together and reinforce that recovery is possible, and that it is good.”

Martin said that check in for the event starts at 10 a.m., with lots of pre-walk activities for participants to take part in, including crafts, a photo booth, and more. Speakers include a local dietician who will speak about the importance of treatment for eating disorders and a yoga instructor testifying to the benefits of yoga as a “healing tool” in recovery.

“I think that the big thing about an event like this is that everyone is impacted by eating disorders or body image concerns in some way, either they know someone who has had these struggles or they themselves have suffered from them,” said Martin. “There is a lot of stigma associated with eating disorders, so an event like this sheds light on a cause like this, to help people feel more comfortable talking about these issues, to help them feel like they can reach out for help or support if they need it.”

For more information on the Athens, OH NEDA walk or information on how to register, visit this link or the walk’s Facebook page.